|This site is owned and maintained by Brian and Barbara Ann Lumley.
All content on these pages is © by the Lumleys 2019 to infinity.
Necroscope® is a registered trademark. All rights reserved.
Any unauthorized usage of material contained herein without permission can/will lead to legal action.
Between this UK site and the USA site you should be able to find just about all you
need to know about Brian Lumley, the Man and The Author.
These two sites are the only Official sites.
|WHO/WHAT IS A NECROSCOPE?
|Years ago this definition was used in the original Necroscope® printing in the UK by Grafton. (The jacket
with the nasty half flesh/halfbone skull and red spine.)
Why this definition never appeared in the US editions I don’tknow … it would have certainly answered
the question to all the US readers who wanted to know then and still want to know now.
Here is Brian Lumley’s definition of a Necroscope® as taken from the inside of above mentioned book.
The following material is copyright © Brian Lumley
(2013 to infinity and beyond). It is not to be used in any other publication without express permission
from Brian Lumley ... which won't happen as Necroscope® is a registered trademark of Brian Lumley.
Tele- (Gk. tele: ‘far’.) A telescope is an optical instrument which enlarges images of distant objects. For
example: the surface of the Moon may be viewed as from only a few hundred miles away.
Micro- (Gk. mikros: ‘small’) A microscope is an optical instrument which makes small objects visible
to the human eye. Through a microscope, a drop of ‘clear’ water is seen to contain countless
Necro- (Gk. nekros: ‘a corpse’) A Necroscope is a human instrument which permits access to the minds
of the dead. Harry Keogh is a Necroscope – he knows the thoughts of corpses in their graves.
The main difference between these instruments is this: the first two perform purely physical, one-way
functions. They are incapable of changing anything. The Moon cannot look back through the telescope;
the amoeba does not know it is under microscopic scrutiny.
That’s Harry Keogh’s big problem: his talent seems to work both ways. The dead know – and they
won’t lie still for it!
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